My Love Affair

Manipal – a place which came under my radar only when by some random chance of fate I achieved a decent score in the CAT exam and on looking around realized that only a couple of colleges still had their application processes open, in which short list figured – TAPMI, Manipal.
Manipal popularly know for its ties with Sikkim and mistakenly assumed to be situated in Sikkim, actually lies in the heart of Udupi district – famous for its temples; and on my arrival there for the interview process I was attracted to the quaint place which though situated in agrarian Karnataka, had all amenities of a metro due to the large student population residing there. As luck would have it I got through the interview process and our course began plumb in the middle of the glorious monsoons that annually hit the coasts of India.
New acquaintances were made in the middle of fights with the management for better hostel accommodation, ragging from seniors and the deafening downpour of the monsoons in full spate. Within the cocoon of the college life I grew not only terms of academic knowledge but also in terms of worldly wisdom. Strong friendships were forged amidst the exhaustively cataclysmic course schedule and I learned how to work with groups of sometimes accommodating and sometimes not so accommodating people, learned that life wasn’t fair and that one had to take it in ones stride, learned that there were still people in this world with whom one could connect within minutes of initial interaction, and that no matter how much you despise a person everybody has something new to teach you. Despite the draining schedule or maybe because of it all of us appreciated the beauty of the place and exploring the pristine beaches and trips to the waterfalls nestled within the Western Ghats were always on top priority.
As we came close to the end of the two years course and looked forward to the ROI for the rough grind that we had gone through, the universe dealt us a tough blow – global recession. Placement scenario was bleak and while floundering in the sea uncertainty and hopelessness, Manipal came to my rescue again. I got recruited by the namesake organization – one interview and I was hired. Although I had spent two years in the place, I was yet to have any major interactions with the local populace. With this job I got from knowing Manipal as a cluster of tourist spots to knowing its people – their culture, their language. Barring their strong sense of community which wouldn’t allow easy entrance to outsiders, the people were charming. Their mild manners and lack of ambition hid behind it a superior intellect and strong family values.
Luck was shining on me – being a greenhorn and uncertain of the work culture, I found in my boss the best possible mentor. Although an outsider as far as the organization was concerned his people management skills enabled him to push through his ideas. With his guidance I learned the ropes of organizational management – the macro perspective as well as the mirco perspective, a combination I may not have achieved in any other organization or under any other boss. I was also blessed with colleagues who soon became close friends and partners in crime for bunking office to make quick trips to Goa, explore the verdant loveliness of the Western Ghats, catch the latest movie or catch up on the latest office gossips.
Due to the change in my marital status I moved to Mumbai – a change of location and a change of role, within the same organization. Within one month of being in the metro I was longing for the open skies and fresh air of Manipal, so much so that an official trip to Manipal had me jumping for joy! However, as with everything else, the passage of time and the increasing demands of my new role made me acclimatised to the conditions of the metro.

Now as I head towards the last few days in the organization I couldn’t resist making making a parting visit to Manipal. As the vehicle wound its way up from the town of Udupi to the hill that is Manipal many changes were visible. The process of urbanization was catching up with this town – roads had been widened at the expense of huge shady trees, quaint terracotta tiled houses were replaced with multi-storied buildings, even the temples were showing ambitious construction plans. However, the view of the sky was still untouched by sky scrapers, the people still talked with gentle politeness, they still worked with that mild mellow manner so typical of the Udupi region, the view of Udupi from the hill was still spectacular; and as the countdown begins to end my romantic tryst with the place and the organization, I can’t help but think …
“I hate to go and leave this pretty sight, I leave and heave A sigh and say goodbye”

Weekly Photo Challenge: Lost in the Details

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My addiction with water ensures that I spend a lot of time at beaches, a pass-time also helped by the fact that I spent a lot of time in the western coast of India.

On one of the numerous trips to the beach, the weather was great and I was taking random beach pictures with the water, the sand and the clouds ……

the water, the sand & the clouds...

the water, the sand & the clouds…

…….. when I chanced upon the lovely pattern created by the retreating waves over the embedded sea shells.

Lovely pattern created by the retreating waves over the shells embedded in the sand.

Lovely pattern created by the retreating waves over the shells embedded in the sand.

Weekly Photo Challenge: Unique

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This Diwali I did a photo tour of the foot-paths where the artisans were displaying their wares – the varied varieties of Diwali Diyas / lamps.

Among the multitude of terracotta diyas and colourfully painted diyas I found this – a glazed and gleaming bullock cart!! I’m not sure whether this is used for any of the Diwali poojas or was just displayed for the promotion of the artisans skills, however it made for a lovely photograph. DSC02277 copy

Weekly Photo Challenge – Illumination

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Weddings in India are grand affairs, with large gatherings of family and friends. We had one hosted in the parking area of our apartment building – huge cloth canopies created an auditorium. The lights through the cloth canopy created a wonderful pattern when viewed from our 5th Floor apartment.

Light patterns through a cloth canopy

While on a trip to Goa we went to lovely outdoor restaurant for dinner. The mood lighting they had created with candles and recessed lights was amazing. While experimenting with various setting I got a lovely shot of the lighting effecting.

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Mood Lighting

Poster Mania

Bollywood movies have definitely reached an inflection point where the industry is freely experimenting with various new techniques and story lines, and i’m just loving the innovative camera work being done in many of the small budget movies which have come out recently. Case in point – the starting frames of “Delhi Belly” – the bucket mis-aligned to the flowing water from the tap and the cockroaches inside empty pizza boxes.

However, camera work is not the only place where this industry is experimenting. I’ve also been amazed by some of the posters that have been used to advertize the movies. Two movies in particular have not only captured my imagination but have also delighted me with their posters -

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“Barfi” Poster which reminds me of Enid Blyton’s Five Find-Outers Cover Page.

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“Barfi” Poster capturing the various expression of Ranbir Kapoor which make the movie a visual delight!

“Barfi” – A movie which narrates the experiences of a deaf and mute guy who makes the viewers fall in love with life. Despite all the controversies surrounding the movie I do believe the director – Anurag Basu is to be commended for the creation of this heart warming tale.

Of the large number of posters that were used to advertise this film, I fell in love with one! The picture of Ranbir Kapoor crashing the bi-cycle is strangely reminiscent of illustrations from old Enid Blyton books – “Clear Orf” crashing his cycle due to the pranks of Fatty in the Five Find-Outers series.

The other poster that I found worth appreciating was the collage of Ranbir’s expressions. Playing the deaf n mute protagonist in the movie he totally depends on his expressions to keep the viewers engaged. This poster aptly portrays the essence of the movie and therefore makes it worthy of note.

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“Kahani” poster – Focusing on the scared pregnant woman in the midst of the Durga Pooja chaos

 

 

 

 

Juxtaposed to these posters are the posters of the movie “Kahani” – more appropriately the POSTER of Kahani. Understated advertizing was emphasized by the fact that the movie had only ONE image for its posters – The picture of a scared and worried heronie in the midst of the chaos of Durga Pooja. The poster adds to the sense of mystery generated by the trailers of a pregnant woman in search of her missing husband. Of-course its only AFTER one has seen the movie one realizes the significance of the Durga idol directly behind Vidya Balan in the poster. Kudos to the team who designed the artwork for this poster.

Waiting impatiently for more innovative and creative work in the coming year …. and looks like I won’t be disappointed.

Weekly Photo Challenge: Changing Seasons

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Diwali Diyas!

Diwali Diyas!

The second half of the calendar year in India is mainly devoted to celebration of various festivals. In Maharashtra the festivities start from Ganesh Chaturti in Sept – Oct, followed by Dussehra and Diwali. Diwali – the Festival of Lights heralds the onset of winter in Northern India. Uncannily within a day or two after Diwali the temperatures start dropping and the country braces itself for the fogs of the winter months.

Wilderness!!

My parents legacy to us kids is definitely the love for reading. Reading for us, at that age covered a wide range of books. It not only included the usual Famous Fives, Three Investigators etc., but also a large number of comics. There was the Phantom, Mandrake the Magician, Tintin, Asterix & Obelix; the Indian genre of Chacha Choudhary, Tinkles, Amar Chitra Kathas and even the war comics that my dad loved to read. However my interest in Graphic Novels was definitely an off-take from my hubby’s enthusiasm for the same. The price of these books being prohibitively high for purchase we restrict ourselves to buying only the most well know novels – the once that my hubby just “has-to-have” like Batman, V for Vendetta etc.

Recently on our trip to the mall, the book store was off loading non-selling graphic novels in a sale and we picked up a couple for a few hundred bucks. One of the books was Mike Grell’s “The Complete Jon Sable, Freelance: Vol 7″. The protagonist is a professional hunter (in an age when hunting was supposed to be a great adventure) and most of the book is set in Africa – which brought back memories of the Phantom comics read in the long past. What amazed me most about the book was the illustrations. The illustrated story-line was not confined to rectangular boxes like in the comics of yester-years, at the same time it didn’t have the exotic look of digitally created images. All the images were hand sketches, with deceptively simple looking lines creating a plethora of human emotions and animal interactions. The simplicity of the animal illustrations made me just want to pick up a paper and pencil and try it out for myself.

My Sketches from Mike Grell’s “The Complete Jon Sable, Freelance: Vol 7″

 Hunting cats, lazing cats, growling cats, stampeding elephants, flying cranes – all drawn with the ease of years of practice and keen observation – beautifully brought to life the wilderness of Africa. The only other author who has been able entice his readers to fall in love with Africa according to me is Wilbur Smith. His books so strongly reflect his love for the continent that one just can’t help but become captivated by the land so skillfully portrayed by his mesmerizing words.

“The rains opened their annual offensive with a midnight broadside of thunder. [ ]. It [the wind] came of the east and it frightened the trees so they thrashed their branches in panic; it drummed on the wagon canvas and filled the air with dust and dry leaves. Then came the rain: stinging like hail, drowning the wind and turning the air into water. It swamped the sloping ground that could not drain it fast enough, it blinded and it deafened.” – When the Lion Feeds

“It was a photograph of an elephant, an old bull. [ ] Somehow he portrayed the whole vastness and timelessness of a continent, and yet he was at bay, and one sensed that all his great strength was unavailing, that he was confused by things that were beyond his experience and the trace memories of his ancestors, that he was about to be overwhelmed by change – like Africa itself.

With him in the photograph was shown the land, the rich red earth riven by wind, baked by sun, ruined by drought. [ ] Then, over it all the limitless sky, containing the promise of succour, the silver cumulo-nimbus piled like a snow-clad mountain range, bruised with purple and royal blue, pierced by a single beam of light from a hidden sun that fell on the old bull like a benediction.” – The Leopard Hunts in Darkness